Today concludes our discussion of "The Life You Save May Be Your Own." A comment yesterday from Rebecca Reynolds touches on the one character we haven't really discussed yet: Lucynell the Younger. It was too insightful to leave in the comment thread. Enjoy...and if you are moved to read more from Rebecca, check out her excellent blog, Little Boots Liturgies.
I saw three dimensions to this story. Pragmatic (the old woman), philosophical (Mr. Shiftlet), and the "is-ness" of true spirituality (Lucynell). Lucynell shows several signs of otherworldliness. She is piercingly colorful against the dirty grey of the rest of the story. She has eyes the blue of a peacock’s neck and hair of pink gold. She is ageless. Her hands are useless. When Mr. Shiftlet toys with flame, she scolds him. (Powerful image I won't explore here.) Lucynell is also a fool, making those awkward errors a person makes when he/she does not make transactions in the consciousness of the common. She has not the ability to hear the world, and no voice to speak into it. She is in the world but not of it. She has no use for philosophy or pragmatism. As is fitting, she is the fool of the story. (When receptors beyond philosophy or pragmatics have atrophied, anyone who doesn't communicate on those terms is considered a fool.) The single word she mimics (“bird”) is an often-used symbol for the realm of the spirit, yet she is not even wordly enough to connect verbalization to a physical bird or philosophical symbol. She simply is.
The older I get, the more I realize I have missed “IS-ness.” We busy ourselves with ruminations, and regurgitations, and plans to do things. Yet there is something altogether different to the simple act of being. Spiritually, in particular.
Lucynell raises the same questions of multi-dimensionality that persons of innocence often stir inside me. Perhaps I am projecting because I am an idealist, but I can never shake the feeling that folks with such gifts point to an untapped realm that I am too busy, too educated, and too responsible to hear.
In light of all this, I adore Jonathan’s comments about Mr. Shiftlet’s attempts to be his own savior. The old woman does likewise. Each person is his or her own "Jesus." The only person in this story unwilling to save herself (including the boy, which is why I see him an accidental prophet, not an angel) is Lucynell.
The life you save may be your own? What irony. As if saving ourselves were the goal. What if Lucynell, sleeping fool on the diner counter, is the story victor instead of the victim?
On Monday,we start "The River," in which a little boy gets run over by some hogs--and that's the least of his problems.